In Badhaai Ho Movie Ayushmann Khurrana and Sanya Malhotra’s film is a fine, funny film about family and accepting an unfamiliar situation.
Box Office Collection(According to Taran Adarsh daywise)
21 Nov 2018
BadhaaiHo are going from strength to strength… Fifth Wed is more than fifth Fri, Mon and Tue… [Week 5]
- Fri 95 lakhs,
- Sat 1.60 cr,
- Sun 2.15 cr,
- Mon 70 lakhs,
- Tue 80 lakhs,
- Wed 1 cr.
- Total: ₹ 127.60 cr. India biz.
20 Nov 2018
It’s a DOUBLE CENTURY… BadhaaiHo crosses ₹ 200 cr worldwide [GrossBOC]…
India NettBOC: ₹ 126.60 cr
India GrossBOC: ₹ 158.25 cr
Overseas GrossBOC: ₹ 43.72 cr [till 19 Nov 2018]
Worldwide GrossBOC: ₹ 201.97 cr
Badhaai Ho is a fine, funny movie about family, and about how hard it is to accept a truly unfamiliar situation, no matter how positive it may be. The Kaushiks are belongs to simple Delhi family, living contentedly in government-allotted housing, curtains matching sofas in a flat festooned with Hanuman stickers.
One night, Priyamvada discovers she’s pregnant. Instead of this is unquestionably the most-lauded news a married woman can give an Indian family, she is too middle-aged, and too entrenched in the middle-class, to celebrate or be celebrated. Her beloved Nakul is the most torn. How can he imagine his parents doing it.
The most shocked situation are — of their parents having a child when expected to marry off their eligible son — gives rise to many a laugh, and while Nakul’s immense dejection might begining seem overdone, the truth is that the young man is getting to grips with a deeper problem: the realisation that despite his marketing job, his affable attitude and his smart girlfriend, he is not as growing as he imagines himself to be. This film gently asks us to consider.
This film describe that a good punchline is hard work, because Ayushmann Khurrana’s Nakul practices hard in front of a mirror to make sure that he is getting his line just right. Khurrana has played the sad middle-class child before, but he is impressively consistent here, and his anger and his awkwardness feel very real indeed. Sanya Malhotra plays good role of his girlfriend, and while she may not have as much to do here as she did a few weeks ago with Pataakha, there are a couple of moments —in which one of them she can’t stop laughing, and another one when she’s righteously angry in bed — where she sparkles. Not that this film is about these kids.
Badhaai Ho is, refreshingly film about the parents. Whose name is Neena Gupta’s Priyamvada, nicknamed Babli, who looks luminous even when exhausted and does too much talking with her eyes as she looks at her husband fondly or at her children longingly. It belongs to Surekha Sikri, who plays a fierce and suddenly immovable mother-in-law. It belongs to Sheeba Chadda, who is playing a soup-slurping socialite who looks down at the absence of an apostrophe.
